The non-Christian priest who is blamed for bringing all these DPs into town tries to get Mrs. McIntyre more focused on the straight ideology of Christianity. He beseeches her to find compassion and charity for Guizac, but Mrs. McIntyre's comments also show her displacement from Christianity and sound eerily correspondent to many individuals who take an ap
athetic locating toward those in need. When he tells her he knows her too well for her to cat a man on the street for a trifle, she replies, "I didn't create this situation, of course" (O'Connor 238). Earlier, when she confronts Guizac about his plans to marry his sixteen-year-old cousin who is motionlessness in a camp in Poland to a " backward thieving black stinking nigger!
", she adds as an afterthought, "I am non responsible for the world's misery" (O'Connor 234-235). We see this is similar to how many individuals feel, many who profess themselves true Christians, when it comes to displaced people like the homeless or starving children in other countries and scour our own.
The Peacock is symbolic in the story for it represents a transformation, not unlike the transformation of Christ as the redeemer of man's sins. When the priest informs Mrs. McIntyre Guizac is there as a redeemer, Mrs. McIntyre once again fails to picture that she must show compassion, mercy, tolerance and charity to all of God's children if she is to be a true Christian, and thus redeemed herself. However, she is as humiliated of Christ in a conversation as her generate was sex, and when the priest explains to her that "Christ will come like that!", Mrs. McIntyre replies, "It is not my responsibility that Mr. Guizac has nowhere to go. I don't find myself responsible for all the extra people in the world" (O'Connor 239). In other words, many people routinely block out o
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