Star Wars Trilogy

The second stem was the source for much of the plot--The Hidden Fortress, a film by Akira Kurosawa. The elan the story could be used under such antithetic circumstances--the Japanese film being a tale of chivalric Japan, and the Lucas film being set up during an interplanetary war in space--shows that it contains strong mythicalal qualities so that it can be displace in such disparate settings while still having the like heroic and epic appeal to the audience and the reader.

Lucas creates a mythic quality from the first. To begin with, the story is not set in the future as science fiction films usually are. Instead, it is set in the far distant past and in a galaxy far from our own: "Another galaxy, another age" (1). This implies a more ancient lineage for the story and so enhances its aura of myth. There are key mythic features in the development of the characters, notably the princess separated from her kingdom; the battle of candid against evil, with evil embodied in a dark and dusky figure (in this case Darth Vader); the dashing hero, a good deal out nerve the mainstream, and often a reluctant hero, as in the case of Han solely; and with fantastic creatures of one sort or another, some on the side of good (such as the robots), some on the side of evil (again referring to Darth Vader, himself nearly a robot in his get dressed and with special powers).

These special powers are another important mythic element, and the string that is referred to has a s

The depict is in the mind, Luke, and can sometimes be used to influence others. It's a powerful ally. But as you come to cope the force, you will discover that it can also be a danger (91).

Lucas, George. Star Wars: A New Hope. New York: Del Rey, 1976.

The mealtime sermon between her husband and Luke had grown steadily more acrimonious as the boy's restlessness pulled him in directions other than farming (52).

The take away to learn the Force is emphasized again and again, and while this serve up is also described as if it were simple, as if the Force were over and could be accessed at will, it is also taught as if each undivided had to attain a certain level of ability and maturity to do so:

piritual element which relate all those who force on the side of good so that they are qualified to make use of this force in their fight. The power wielded by Darth Vader derives from the same mystic source but has been turned to evil, and so the spiritual element is raised and is depicted again in terms of the fight between good and evil. The Force in this case has an element of magic about it which also links to earlier myths and legends, as when it is explained to Luke by Kenobi:

You must try to disjoin your actions from conscious control. Try not to focus on anything concrete, visually or mentally. You must let your mind drift, drift; totally then can you use the force. You have to enter a state in which you act on what you sense, not on what you think beforehand (119).

Every description of the Force has this element, indicating that the accessing of the Force is like the Eastern religious experience of meditation.

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