From rituals involving prayer to dress, Muslim kitchen-gardening historically maintains many rituals of interaction. One of the best known of these rituals is the eroding of the embryonic membrane by Muslim women. Such rituals signify the set of Muslim society and distance one culture from another. The veil worn by women and the practice of "purdah", or the loneliness of women, are important rituals in Islamic culture. Veiling is silent as a means of protecting women from the potential of an oncoming by unknown or known males. It is also associated with the living of masculine honor through the protection of feminine virtue. Islamic society regards women as in need of veiling and clandestine protection, because "women are unable to control their sexuality, are tempting to men, and and so a very real threat to the social send" (Fernea and Fernea 2000, 110).
Many rituals like these are viewed negatively in the West. However, the Islamic experience demonstrates that women and men assimilate p maneuvericular roles and duties but women have much more situation than commonly perceived in the West. The experience of women is unique in Islamic culture. Islam re
gards the experience of marriage as that state of existence in which men and women find contentment and perfection. Further, marriage is regarded as providing "legitimacy to children, protection and security for women, and a center of breeding to men" (Faruqi and Frauqi 1996, 150).
Based upon a reading of the Qur'an, Islam accords special billet to women and provides full legal status, the right to own and control blank space and dispose income, the right of retaining her own name, and the capability of divorcing a keep up in specific cases when his actions have provided just cause. Nevertheless, religious principle on gender establishes women in Islamic society as second-class citizens with distinct spheres of activity compared to men.
Artistically, Islamic culture exhibits a number of different artistic pursuits. The art and architecture of the Islamic culture developed alongside Islamic expansion from its root in the Middle East to a global power of enormous power and authority. The Islamic culture, as manifested in art and architecture, literature and poetry, was energized by an "extremely dynamic religious pound that served as an impetus for each of these cultural expression" (Gardner 1952, 285). Islamic art and architecture have manifested th
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